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Don't get me wrong I love writing and studying about history it helps us avoid the same mistakes in the future but a lot depends on who is writing that history,the winner or the loser ? How was it passed down through the generations ? word of mouth ? We all know of the problems there.We just tend to let our imaginations creep into our stories whether we like it or not.I kinda look at it this way.You are sitting in your car,lets call it "the now" you are looking out the front window,lets call that "the future".In your rear view mirror is "the past".You learn to avoid the potholes and other road hazards by not repeating the past.The trick is to avoid the potholes.Through our side windows life goes rushing by faster and faster with more and more distractions to attract out eyes from the road ahead.Take your eyes of the road for too long and damn your back to hitting those potholes again.It is all a matter of where you choose to put your attention.Artists tend to pay a lot of attention to "the now" it usually is the safest place for them to be.
identify with at least one of the characters being depicted.Ordinary characters doing ordinary things that the viewer can identify with is most important.Giving your characters human emotions by the use of dramatic lighting,posing and setting the stage for each and every shot can really add some drama to your work and make the whole experience much more interesting for your viewer.
It is what I call keeping it in "the now".
How to shoot it? angle of composition ,you get to choose the POV (point of view)
The camera really represents us and our attention and to where it is directed.It is the heart of our indentification with the character.So "he matters" to the emotional involvement of the viewer.
Upshots and downshots can also imply the relative size of the characters as well as the background.
A floor can represent a downshot where a ceiling, ceiling would do the opposite.By manipulating the background we can control the POV.Decorating elements such as pictures on a wall ,lighting fixtures will also convey the same message.
A storyboard artist is really a good storyteller.The drawings must have meaning and feelings behind them.They provide great way to begin to visualize the content of your story.The storyboard artist must be a great communicator of ideas and not necessarily a great illustrator or animator.Storyboards allow film makers to see a blueprint of their movie before even going into production.By tacking a sequence of images up on a wall you can visualize the entire story before eyes your eyes and study it for flow and continuity.It is a very effective and inexpensive way to develop a story.Boarding it up saves time and money.
The guys delivering the coal and wood would be glad to see it outta there to make their job easier.The boss however hates to throw anything away, so there it sits rusting away.
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